
After years of spending billions on content, every major streaming platform is cutting costs, raising prices, and admitting the growth-at-all-costs model was a fantasy.

Ticket prices are at record highs, but most working musicians are losing money on the road. The math does not add up, and the live music industry knows it.
Ticketmaster charges record fees. Hotels cost double what they did five years ago. Gas prices, crew wages, and equipment rental have all increased. But guarantees for mid-level bands have barely moved. The result: touring is financially unsustainable for the vast majority of working musicians.
The top one percent of artists, the stadium acts, are doing better than ever. Dynamic pricing and VIP packages have pushed average ticket prices past $300 for major tours. But that wealth does not trickle down. The club and theater circuit, where most professional musicians operate, is in crisis.
Venue consolidation has made it worse. Live Nation controls a massive share of venues and promoters, giving them enormous leverage over artist guarantees. Independent venues are closing at an alarming rate, further reducing options for touring acts.
The pandemic accelerated these trends but did not cause them. The fundamental economics of live music have been broken for over a decade. Streaming killed album revenue. Touring was supposed to replace it. Instead, touring costs ate the margins.
Something has to give. Either ticket prices come down, guarantees go up, or an entire tier of professional musicians stops touring. None of those outcomes are good for fans.

After years of spending billions on content, every major streaming platform is cutting costs, raising prices, and admitting the growth-at-all-costs model was a fantasy.